top 100 grateful dead shows

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There was something about springtime that brought out the verve, fraternity and experiment in a Dead tour. Before the Landslide: Inside the Early Years of Fleetwood Mac, Beck’s ‘Hyperspace’ is a Dark, Heavenly Pop Fantasy. Seventies pick: Boston Music Hall, 6-9-76.

Exciting like a new Kanye track is today. His fusion of folk guitar and bluegrass facility with blues language and Indian modality, shot forward in a clean, stinging treble, is on dynamic display in a rightly extended “Cream Puff War” (cruelly faded out after two minutes on the LP), Martha and the Vandellas’ “Dancing in the Street” and the Dead’s signature rave-up on “Viola Lee Blues,” originally cut in 1928 by Cannon’s Jug Stompers. © 1990-2020  The Mockingbird Foundation, Inc. | Hosted by. “Estimated Prophet”July 8, 1978; Red Rocks Amphitheatre, Morrison, Colorado. It is basically Anthem as it happened every night, on the way to vinyl. Available on Anthem of the Sun expanded edition. 2/13/70 - DP 4 / Miller SBD. The interplay between Garcia (again with the envelope-wah) and Weir (who artfully employs a phase-pedal wah and octave divider in the middle of the jam) is deliciously rhythmic, and Brent adds much with his keyboards as well. Those days are gone. Re: top 10 grateful dead shows I was at 74-07-21 (amongst many other shows). Nineties pick: Cal Expo 5-26-93—one of the band’s last truly great jams; the “reprise” comes later in the set.

1971 was another year of development for the band.

Such are the cruel realities of list-making. I really love all the peppy [keyboardist] Brent Mydland–era “China-Riders,” too. The voters at headyversion.com get it right again. The contagious gait and sparkle of “Help on the Way,” “Franklin’s Tower” and “The Music Never Stopped,” all from Allah’s first side, stayed in the live sets for the rest of the Dead’s touring life. From left: Ron 'Pigpen' McKernan, Jerry Garcia, Bill Kreutzmann, Phil Lesh and Bob Weir of the Grateful Dead perform onstage at The Family Dog in 1970 in San Francisco, Calif. Velvet Underground exciting. 5. Weir and Donna Godchaux harmonize in easy, bracing formation across Kreutzmann and Hart’s polyrhythmic carpet; Keith Godchaux laces the twin-guitar rain with gracefully executed saloon-piano flourishes.

“Shakedown Street” is an absolute monster and Branford’s saxophone lends lots of color and flash to a diverse first set that features “It Takes a Lot to Laugh, It Takes a Train to Cry,” “Black Throated Wind” and an especially spirited “High Time.” The second set is a sprawling psychedelic voyage with a tripped out “Dark Star” at its core. Winterland, San FranciscoJune 9th, 1977 March 18th, 1967Warner Bros. Records released the Dead’s debut album, The Grateful Dead – a sonically brittle, high-speed version of the group’s stage act and songbook – on March 17th, 1967. So why not have “Sugar Magnolia” here?

Choosing one of these two dates is tough. England and Wales company registration number 2008885. The band probably would agree, since like a third of the official album was from that one show. For years, they went on stage without set lists. Yes, the Beatles-ish harmonies were a challenge, but the jams were varied and often tremendous. It took place on Aug. 27, 1972. Official Site Of The Grateful Dead.

1 No. The Dead did not play that song during this legendary near-four-hour appearance. Bath That is aptly followed by an apocalyptic “Morning Dew.” There’s a moment when you can first discern the group-voice of the audience singing along with Jerry. “Scarlet” alone pick: Fresno 7-19-74. Bruce Hornsby also joined in for a time to help Vince get acclimated to his new role. Bill Graham famously said of the Dead, “They’re not the best at what they do, they’re the only ones that do what they do.”. The Reddit top 40 has that plus 4/26/72 (the Hundred Year Hall show) and 4/8/72 Wembley. After a summer of amphitheater dates, the band sounds cozy here, loose and swinging indoors, especially at quicker tempos. Sad to say, I never got to see them sing the “High green chilly winds” bridge into “The Eleven.”. From the Eighties, it’s hard to top Augusta, Maine 10-12-84. This rightly revered version is, alas, cut near the end on the soundboard recording, but when it was officially released on Road Trips Vol. Be the first to know about the Grateful Dead’s exclusive limited-edition releases, breaking news on the band, community events, and so much more. Available on Europe ’72 Vol. You didn’t need an advanced degree in Dead lore to decode the name on the tickets for the two ’89 shows at this 13,000-capacity arena. The Election Could Be a Turning Point for QAnon Believers, Here’s Where Things Stand in the Final 4 States That Will Pick the President, Kyle MacLachlan Joins — and Wins — Fleetwood Mac ‘Dreams’ Challenge, If Trump Tries to Sue His Way to Election Victory, Here’s What Happens, RS Recommends: For No Reason Whatsoever, a $24 Desktop Punching Bag. Strong late Brent-era version with hot extended jam (including MIDI flights) between tunes and solid “Rider.” Available on View from the Vault III.

3. 8/6/71 - Rob Bertrando AUD / DP 35. 50. He was a pioneer of improvisational rock n’ roll, encompassing emotions that could be felt by every Deadhead at every show. 3.

Nineties pick: RFK Stadium 6-14-91 (with Bruce Hornsby and MIDI Jerry) “Franklin’s Tower” alone: Cape Cod 10-27-79. The ongoing success of the many Phil Lesh & Friends lineups and, more recently, Dead and Company, featuring newish Dead convert John Mayer (playing with Bob Weir and Grateful Dead drummers Bill Kreutzmann and Mickey Hart), show that the Dead’s legacy is very much intact and that the music is continuing to evolve. Let’s start this list off by saying that the soulful presence of Ron “Pigpen” McKernan and his passion for the blues was instrumental in making these shows unforgettable.

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